Going in-formal: learning arts and contemporaneity

A two years collaborative programme (08.2012 – 7.2014) together with Institute for Colour from Oslo and kim? Contemporary Art Centre from Riga, supported by the EU programme for lifelong learning – Grundtvig: practical learning for adults. The project entitled “Going in-formal: learning arts and contemporaneity” aims to improve the international collaboration in the field of non-formal education, to share experience, to exchange ideas and knowledge on interdisciplinary culture, to strengthen awareness regarding contemporary art and to create a certain basis for a long-lasting collaboration. Read More

POT

June-July 2012, Kassel
http://pot.top-ev.de/

The city of Kassel in Germany — some say “near Frankfurt” — is known as the place for the “world’s largest art exhibition”. Every five years a “circus” comes to town and expulses the normal day life and wakes a Sleeping Beauty. Thus Kassel is known for the fairytales of the Brothers Grimm as well as for armament industries. In fact the exhibition Documenta is an outcome of the cold war depression in this region and is internally quite inconsistent, since there are some effects to the population. But on the one hand these remain cursorily on the surface, on the other hand they are burried deeply — for instance the believe in art as social practice or the educational benefit of internationality. Taking this as an operation field the top e.V. association, which has strong and cultivated ties to Kassel, will open up a working and festivity space called sketchily “POT” in Kassel during Summer 2012. The association seeks to invite all interested parties to find ways of co-operation for this undertaking. This can be a rent-the-space action or a symposion about the questionable terms of gentrification. The POT will offer infrastructure and support for foreign cultural producers and create a program for discussions and presentations.

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Abandoned Mystery

Abandoned Mystery is a Multi/Inter/Trans/Cross/Non-disciplinary Expedition pilot project on exploring the constitution of the phenomena of abandoned military sites of the European edges in the Baltic Sea area. (Pre-WWII fortifications, Soviet military heritages in Koenigsberg/Kaliningrad, Memel/Klaipeda and Riga, Curonian Spit, Vyborg, Karelian Isthmus/Russia, Liepaja, Vainode, Skrunda/Latvia as well as Porkkala, Hamina/Finland and Plateliai, Gulbiniskiai, Rimsai/Lithuania).
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Migrationshintergrundrauschen

Migrationshintergrundrauschen

Migration ist eine Art Rauschen im Hintergrund, und manchmal ein Kriterium für Ausschluss oder Einschluss. Ein LKW bringt Rauschen von der einen Seite des Landwehrkanals über die Brücke auf die andere Seite. Wir nehmen Sound in Neukölln auf und spielen ihn jenseits wieder ab, beim Nachbarn in Kreuzberg. Dann nehmen wir dort auf und transportieren wieder zurück. Und so weiter. So entsteht ein Verkehr über die unsichtbare Bezirksgrenze hinweg. Von Neukölln nach Kreuzberg, von Kreuzberg nach Neukölln. Sans papier, ohne Pass, no landlord.
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Staatsschulden in Dezibel

3dos (3D Open Space)

www.radi0.tv laedt ein zum

3dos (3D Open Space) NEU

deBts

Die nationalen Schuldenquoten in Dezibel (dB) oder beats per minute und theoretisch. Sounds und Gespraech mit Guenther Sandleben zur aktuellen Phase der Wirtschaftskrise

Fr., 16.12.2011
20:00 Uhr
okk/raum29
Prinzenallee 29
13359 Berlin (Wedding)
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WebJs – Performance

November 18th
21:00-23:00 EET (19:00-21:00 GMT)
www.webjs.lt
Vilnius Academy of Arts Nida Art Colony, Taikos str. 43, LT-93121 Neringa/LT

From tackling boring politicians to celebrating fishing trophies, a two month long project has given Lithuanian artists a much-needed boost in net-based art.

WebJs, a mix of eight weeks research, internet folklore and an endless stream of internet data, is the result of a residency programme in Nida Art Colony, supported by the Lithuanian Interdisciplinary Artist’s Association. Dirk Paesmans from the JODI.org collective (Dirk Paesmans & Joan Heemskerk) was joined by Lithuanian artists Darius Miksys, Irma Stanaityte, Andrius Kviliunas, Robertas Narkus, and Linas Ramanauskas.

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